- Salary: $40,000-$45,000/year – and this is as much as is needed.
- Bonus: $500/month ($6,000 annualized) – and it’s tied to them hitting 5-8 stories a month. Don’t set the bar too low (or too high).
- Special bonuses: I’ve had awesome success with putting in a special bonus program to focus the efforts on landing top media outlets.
- Top five TV stations
- Top five radio stations
- Top five magazines
- Top five newspapers
- Top five online
- This type of bonus ranging from $250-$1,000 per story can generate a ton of focus.
- Caution – don’t let bonuses for major outlets take your eyes off the prize: you still want to land five to eight stories a month per person. The last thing you need is a PR person spending all their time trying to “bag the elephant.”
- How many total stories are you landing monthly? Don’t waste time tracking media impressions to come up with some fancy ROI. You’ll know after six months that it works, and for the salaries and bonuses you’re spending, you’ll get great ROI. Spending time over tracking things just wastes time where you could be pitching the media.
- Have you called back the writers you’ve pitched to? Keep a simple database in Outlook, Act or a similar contact management system, to track what you talked about and when you need to call them back. Keep it simple.
- Which writers will you contact again if they fail to express interest in your pitch the first time? If a writer shuts you down you should always call on them again in future with other ideas. I also call them in the future with the same angle with perhaps a new spin on it or when the business tide has changed to make your angle interesting again.
- The same writer for different stories in different publications has covered me. Many writers also write freelance for a variety of publications and can cover your story in a few of them. Always continue to follow up until you’re told to never call again!